NANO

Hello, Firstly i see no problem here.You suppose to message any of the Moderator or Global Moderator for this silly things.If you face any problem in TS3 make sure to post i in the right section HERE . BTW this is the simple answer to your question. T/C

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South Africa broke English hearts with a ruthless display of power rugby to seize their third Rugby World Cup in devastating fashion. Twenty two points from the boot of nerveless fly-half Handre Pollard and second-half tries from wingers Makazole Mapimpi and Cheslin Kolbe ground England into the Yokohama dirt on a horrible night for Eddie Jones's men.England had trailed 12-6 at the interval after taking a hammering in the scrum and making a series of handling errors. And despite four penalties from captain Owen Farrell they never looked like closing that gap as the Springboks produced an outstanding display to match those of 1995 in Johannesburg and 2007 in Paris. Those were iconic moments for a nation besotted with rugby and when Siya Kolisi lifted the William Webb Ellis trophy aloft as the first black man to captain the Springboks they will have the final part of a triptych that will endure forever in the country's collective memory. For England it was a chastening end to a campaign that had promised to end the 16-year wait for the World Cup glory. They were out-muscled, out-run and out-thought by a team transformed by the leadership of skipper Kolisi and the coaching of Rassie Erasmus. Never before has a team beaten in the group stages gone on to win the trophy, but this is a triumph to match that of the teams of Francois Pienaar and John Smit with a wider story that perhaps surpasses both.England, so quick out of the blocks in their semi-final win over the All Blacks, were rocked in the opening exchanges as prop Kyle Sinckler was knocked out in an accidental collision and forced to leave the field before touching the ball. South Africa took that momentum and through a Pollard Garryowen-and-gather went deep into the English 22 before Willie le Roux knocked on as he carved an outside line down the right. England were rattled, throwing loose passes, Farrell isolated as he tried to mop up one from Billy Vunipola and Pollard banging over the resulting penalty for 3-0. The huge Springbok pack was making a mess of the English scrum and disrupting their line-out, but when the men in white made their first series of forays they won a breakdown penalty and Farrell levelled things up. Now it was the Springboks forced into changes, hooker Mbongeni Mbonambi off with concussion and lock Lood de Jager appearing to dislocate a shoulder. Yet England knocked on at the restart, had their scrum splintered and were behind again as Pollard slotted the penalty from the angle. Back they came. The forwards hammered away at the South African line after driving a line-out on the 22, Courtney Lawes and replacement Dan Cole both going close until Duane Vermeulen infringed and Farrell kicked the penalty for 6-6. The vast English support in the stands found their voice but the mistakes kept coming. Billy Vunipola was penalised for holding on and Pollard landed a beauty from 40m, and then Elliot Daly knocked on from Lukhanyo Am's kick ahead, the scrum was mangled again and Pollard struck again from in front of the posts. It was a horrible half from Eddie Jones' men, that 12-6 half-time deficit the biggest they had faced in the entire tournament. South Africa coach Erasmus threw replacement props Steven Kitshoff and Vincent Koch on just after the break and at their very first scrum they mangled England again. Pollard drilled over a beauty from just over halfway and at 15-6 England were staring into the abyss. The South African power was stopping their big runners dead and killing England at the breakdown and Jones rolled the dice, throwing Joe Marler into the front row and Henry Slade in at outside centre as Farrell took Ford's place at fly-half. It initially appeared to work. England blew the Springbok scrum apart, Farrell lined up the penalty and it was a six-point game. Now Curry got to work, snaffling a breakdown penalty to give Farrell another shot, this time from 45m out wide, only for the kick to drift just wide of the right-hand post. What could have been 15-12 was suddenly 18-9 as South Africa set up a maul in midfield and England were caught offside for a penalty that Pollard was never going to miss. England had 22 minutes to save their World Cup and grabbed a lifeline from Farrell's fourth penalty after Vermeulen held on from the restart. Luke Cowan-Dickie and Mark Wilson came on for Jamie George and Sam Underhill but with 14 minutes to go the killer blow came. South Africa went left down the blindside, Mapimpi kicked on and Am gathered before finding the winger on his outside shoulder for the first try the Springboks had scored in three World Cup finals. Pollard's conversion from in front made it 25-12 and the stands were alive with green-shirted noise. And when the diminutive Kolbe stepped and accelerated through an exhausted rearguard in the final moments the Springboks could kick-start a Japanese party that will sweep through their homeland. England head coach Eddie Jones speaking to BBC Radio 5 Live: "We just couldn't get on the front foot. We were dominated in the scrum particularly in the first 50 minutes. When you're in a tight, penalty-driven game, it's difficult to get any sort of advantage. "We needed to fix up the scrum, little things around the line-out, then get a bit more accurate in how we attacked. We did that for a while, got ourselves back into the game, but in the end we had to force the game and gave away a couple of tries. "They were too good for us at the breakdown today. That's the great thing about rugby, one day you're the best team in the world and the next a team knocks you off." South Africa coach Rassie Erasmus: "It's weird, I didn't think two years ago we could realistically do it, but six months ago began to and four weeks ago I really did. I am so proud of the players and my country. We stand together, we really believed it and I am proud to be South African. "The country have gone through some bad times, and we have over the last two years but our challenge is to make South African rugby strong for the next six or seven years. "I will make this my mission to make this a springboard to take it the right way."

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The security relationship between the UK and Pakistan is helping to keep British people safe, the Duke of Cambridge has said. The Duke and Duchess of Cambridge visited an army dog training school on the last day of their tour of Pakistan. A number of UK troops are currently based at the centre in Islamabad, which is modelled on a British programme. Prince William said "what happens here in Pakistan directly correlates to what happens in the streets of the UK". He said: "The fact that we're here today and witnessing UK-Pakistani security working together shows you how important it is." A number of past UK terror plots have been linked to Pakistan. The duke added: "We're involved with the Pakistanis for a very good reason. It will actually keep people safe back in the UK." Dogs are trained to identify explosives at the school, which is based on the UK's Defence Animal Training Centre at Melton Mowbray in Leicestershire. The couple walked golden Labrador puppies Sky and Salto, which are being trained as search dogs. Prince William said: "The whole week we've been hearing about security in Pakistan and it's really brought home to Catherine and I the importance of the relationship between the UK and Pakistan."However, a planned visit to a Pakistani military post in the Khyber region near the border with Afghanistan was called off after a flight carrying the royal couple was delayed by thunderstorms. The RAF Voyager twice attempted landings in Islamabad on Thursday evening before turning back. The duke and duchess spent the night in Lahore before returning to the Pakistani capital on Friday morning. The royal couple have also highlighted education and the impact of climate change during their four-day tour. The trip was organised at the request of the Foreign and Commonwealth Office and the Pakistan government hopes it will boost the country's image as a tourist and business destination, after decades of unrest.

Brothers in Arms: Hell's Highway is a 2008 first-person shooter video game developed by Gearbox Software and published by Ubisoft for PlayStation 3, Xbox 360 and Microsoft Windows. The game is the third installment in the Brothers in Arms series. Brothers in Arms: Hell's Highway follows the men of the 101st Airborne Division (502nd Parachute Infantry Regiment) in the later stages of World War II, during Operation Market Garden in the Netherlands, with the player returning to the role of Staff Sergeant Matt Baker (based on Harrison C. Summers) from the previous titles in the Brothers in Arms series. Brothers in Arms: Hell's Highway is a World War II-themed tactical shooter played from both first person and third person perspectives. The object of Hell's Highway is to guide player character Sgt. Matthew Baker and the squads under his command as they complete objectives during Operation Market Garden.In campaign mode, players must complete a series of levels that encompass Hell's Highway's storyline.The player can select from three levels of difficulty: Casual, Veteran, and Authentic. Completing the campaign grants players access to Authentic difficulty, which increases the enemy's accuracy and disables the heads-up display (HUD), as well as the player's crosshairs. Combat in Hell's Highway is squad-based and retains much of the gameplay from its predecessors.The player has direct control of Baker while the squad members are controlled by the game's artificial intelligence.As players progress throughout the storyline, a maximum of three squads may accompany them into the battlefield. Three squad variations are available, each with their own strengths and weaknesses; for example, fire teams are proficient in suppressing the enemy, while assault teams are preferred for flanking maneuvers.The player may issue commands to the squads, such as sending them to take cover or focus their fire on an enemy position. A red circle above enemies shows when they are a threat. When the player issues an order for suppressive fire, the circle turns grey, indicating an opportunity for the player or squad to move to an improved flanking position. The game features a cover system, which allows players to strategically hide behind objects while fighting enemies, and alternates the player's view to an over the shoulder perspective, similar to a third-person shooter.Hell's Highway features a destructible cover system, allowing objects such as wooden fences and sandbags to be destroyed by gunfire or explosives.Unlike the previous entries in the series, a regenerating health system is present, justified as representing a character's exposure to "threat" rather than resilience to damage: when the player's character is exposed to enemy fire, the screen turns red and blurry. If he remains under fire, he will eventually be hit and killed. Remaining safe from enemy fire will quickly remove "threat." Gamplay also introduces the "action camera" feature which sometimes momentarily slows down time when a player kills an enemy with a headshot or grenade. The game was officially released for the PlayStation 3 and Xbox 360 on September 23, 2008 in North America, and was in stores on September 20, 2008. The Microsoft Windows version was released two weeks later, on October 7, 2008. It was made available on Steam on October 8, 2008. Gearbox officially announced a special, limited edition version of the game which included a 6-inch Sergeant Matt Baker figure with 13 accessories, a blister pack holding the figure and accessories, a 32-page Brothers in Arms First Edition comic book, a full-color map of Operation Market Garden, special packaging, and 2 more playable multiplayer characters. On July 29, 2008, Brothers in Arms: Hell's Highway was published by Presidio Press as a companion novel for the video game by the video game's historical director, Colonel John Antal, who served in the United States Army and retired after 30 years. System Requirements MINIMUM Requirements CPU SPEED: 2.6 GHz dual-core (3 GHz for Intel Pentium D 925) RAM: 1 GB OS: Windows XP SP3/Windows Vista SP1 (only) VIDEO CARD: 128 MB DirectX 9.0ccompliant, Shader 3.0 enabled. ATI RADEON X1600/16501950/HD 2000/3000 series. NVIDIA GeForce 6800/7/8/9 series. TOTAL VIDEO RAM: 128 MB 3D: Yes HARDWARE T&L: Yes PIXEL SHADER: 3.0 VERTEX SHADER: 3.0 SOUND CARD: Yes FREE DISK SPACE: 8 GB Recommended Requirements CPU SPEED: 2.6 GHz dual-core (3 GHz for Intel Pentium D 925) RAM: 2 GB OS: Windows XP SP3/Windows Vista SP1 (only) VIDEO CARD: 256 MB DirectX 9.0ccompliant, Shader 3.0 enabled. ATI RADEON X1600/16501950/HD 2000/3000 series. NVIDIA GeForce 6800/7/8/9 series. TOTAL VIDEO RAM: 256 MB 3D: Yes HARDWARE T&L: Yes PIXEL SHADER: 3.0 VERTEX SHADER: 3.0 SOUND CARD: Yes FREE DISK SPACE: 8 GB

Malaysian censors have ordered a scene to be cut from DreamWorks film Abominable before it is screened there - because of a brief glimpse of a map. It is the third South East Asian country to take offence at the scene in the film, a Chinese co-production. The contentious map shows the "nine-dash line", which China uses to show its claims in the South China Sea. Parts of the sea and various island groups are claimed by five other Asian countries, as well as China. Vietnam has already pulled the movie - while Philippine politicians are calling for a DreamWorks boycott. It might be merely a backdrop in an animated movie - but it shines a spotlight on one of the world's hottest territorial disputes. What is in the scene? Abominable is an animated children's movie which actually has nothing to do with the South China Sea. It's about a Chinese girl from Shanghai who discovers a yeti on her roof, strikes up a friendship with him, and - against all odds - manages to take him back to Mount Everest. The girl, Yi, has a makeshift shed on the roof of the high-rise where she lives. In that shed, there's a big map of East Asia on the wall, with pictures and notes pinned to it. And it shows the South China Sea - with a series of lines marking what's known as China's nine-dash line. What is the nine-dash line? The South China Sea is a strategically important region, rich in potential natural resources and fishing grounds, and lying between several influential countries. China says it has always controlled a large chunk of this territory. The nine-dash line carves out by far the largest portion - leaving only a small coastal strip to each of the other claimants. In 1947, China issued a map detailing its claims, and insists history backs up its claims. The other claimants beg to differ. Vietnam also has historic maps showing its claims, while the Philippines invokes its proximity to some of the islands, which have long been po[CENSORED]ted by Filipinos. While Taiwan's claim mirrors that of China (and China considers Taiwan to be part of China anyway), Malaysia and Brunei insist parts of the sea fall within their economic exclusion zones as defined by United Nations laws. The Philippines have sought international arbitration - and a UN tribunal in 2016 backed Manila, saying China had violated the Philippines' sovereign rights. Beijing, though, boycotted the proceedings and the ruling hasn't had any consequences. China's rapidly growing influence in the region has the other claimants torn between taking a stance - or bowing to Beijing's economic might. Why was it included in the film? It's hard to say, as it doesn't actually play a role in the movie. But Abominable is the first co-production between US company DreamWorks and China's Pearl Studio production firm. Within China, the sea is routinely shown with the nine-dash line. So for the Chinese side of the co-production, it's simply an accurate and normal map. Movie-goers in Vietnam, though, were quick to accuse China of inserting the map to gradually make its claims less and less controversial on the global stage. In fact, Beijing doesn't merely claim the territory: it runs naval patrols in the area and, for years, has been building military outposts on the disputed islands. In some cases, small rocky reefs have turned into fully fledged military runways.Over the past few years, China has become more insistent on territorial questions. It has, for instance, been increasingly strict in policing how foreign firms describe Hong Kong - which is part of China but has a special status - or Taiwan, which is self-ruled but which Beijing sees as a province of the mainland that has broken away. This has led to officials and outraged Chinese social media users going after Western companies that use "wrong" maps. Just this week, Christian Dior apologised to China for using a map of China without Taiwan. What have Malaysia and other countries said? "The film has been given approval for screening in Malaysia," the Malaysian film board chairman. "Under the condition that the controversial map is removed from the film." Vietnamese movie-goers were the first to notice the nine-dash line - and officials swiftly ordered the film to be pulled. Why is the South China Sea contentious? South China Sea: Missing books and maritime claims Chinese ship forces US destroyer off course Next was the Philippines, where public and politicians were equally upset. Foreign Minister Teddy Locsin on Twitter called for a boycott and speculated about cutting the map out of the movie. The movie has been showing in the US since last month, and the map scene has largely gone unnoticed. Yet the US is also frequently at loggerheads with Beijing over the South China Sea. The US Navy routinely carries out what it calls "freedom of navigation" acts. Its ships sail through what the US calls international waters - only for China to accuse it of provocation and interference in regional matters.

Australian carrier Qantas has completed a test of the longest non-stop commercial passenger flight as part of research on how the journey could affect pilots, crew and passengers. The Boeing 787-9 with 49 people on board took 19 hours and 16 minutes to fly from New York to Sydney, a 16,200-km (10,066-mile) route.Next month, the company plans to test a non-stop flight from London to Sydney.Qantas expects to decide on whether to start the routes by the end of 2019. If it goes ahead with them, the services would start operating in 2022 or 2023.No commercial aircraft yet has the range to fly such an ultra-long haul route with a full passenger and cargo load, Reuters news agency reports. To give the plane sufficient fuel range to avoid re-fuelling, the Qantas flight took off with maximum fuel, restricted baggage load and no cargo.Passengers set their watches to Sydney time after boarding and were kept awake until night fell in eastern Australia to reduce their jetlag. Six hours later, they were served a high-carbohydrate meal and the lights were dimmed to encourage them to sleep. On-board tests included monitoring pilot brain waves, melatonin levels and alertness as well as exercise classes for passengers and analysis of the impact of crossing so many time zones on people's bodies. "This is a really significant first for aviation. Hopefully, it's a preview of a regular service that will speed up how people travel from one side of the globe to the other," said Qantas Group CEO Alan Joyce. Competition in the ultra-long haul aviation market has intensified in recent years, with various airlines flying extended routes. Singapore Airlines launched a near-19 hour journey from Singapore to New York last year, which is currently the world's longest regular commercial flight. Also last year, Qantas began a 17-hour non-stop service from Perth to London, while Qatar Airways operates a 17.5-hour service between Auckland and Doha.

Myst IV: Revelation is an adventure video game, the fourth installment in the Myst series, developed and published by Ubisoft. Revelation was the first game in the series to be initially released on a DVD-ROM format at launch; a multiple CD-ROM version was not produced as it would have taken twelve compact discs to fit the data. Riven had been released as a DVD-ROM, but only after its first 5-cd version. Exile was later ported to DVD-ROM for the 10th Anniversary collection. Like Myst III: Exile, Revelation combines pre-rendered graphics with digital video, but also features real-time 3D effects for added realism. The plot of Revelation follows up on plot details from the original Myst. The player is summoned by Atrus, a man who creates links to other worlds known as Ages by writing special linking tablets. Almost twenty years earlier, Atrus' two sons nearly destroyed all of his linking books and were imprisoned; Atrus now wishes to see if his sons' imprisonment has reformed them. The player ends up traveling to each brother's prison, in an attempt to recover Atrus' daughter Yeesha from the brothers' plot. Development of Revelation lasted more than three years; Ubisoft had up to 80 employees working on the game. Musician Peter Gabriel lent his voice and a song to the game's audio; the original score was written by Exile's composer Jack Wall. Overall, reception to the game was positive; reviewers lauded the impressive visuals, sound, and puzzles. Publications such as Computer Gaming World took issue with the control scheme of the game. Revelation is the last game in the Myst series to use both prerendered backgrounds and full-motion video; the final game in the series, End of Ages, is rendered in real-time throughout. Myst IV: Revelation is an adventure game in which the player experiences gameplay from the eyes of an unnamed protagonist referred to as the Stranger. Players explore interactive worlds known as Ages by using the mouse or keyboard, solving puzzles and uncovering the game's narrative. Players cannot move freely across each Age;instead, as in the previous games in the Myst series, they travel by clicking set locations called "nodes", where players can rotate their view in any direction.Revelation also features a "Zip" mode, which allows a method of rapidly crossing explored areas by skipping intermediate nodes; areas that can be instantly traveled to are stored as thumbnail representations for rapid movement across Ages. The mouse cursor helps to provide visual cues for player actions and movement. The cursor appears as a hand that changes depending on what the player is hovering the cursor over.For example, to move in a direction, the cursor changes to point in the intended direction. If players can view an item in greater detail, the cursor changes to a hand holding a magnifying glass. By clicking and dragging the cursor, the player performs actions such as pushing, pulling, and tapping items. Revelation features several gameplay enhancements that aid puzzle solving and plot progression. Early in the game, players receive a camera, which can be used to take screenshots or pictures of clues.Players can use an on-screen journal to jot down notes instead of having to write down clues as with previous Myst games.Much of the game's story is revealed via flashbacks triggered by an amulet that has the power to relay memories attached to objects.Zip mode, the amulet, the camera, and the journal are available via a menu on the bottom of the game screen. In 1825, Atrus calls the Stranger to his home in Tomahna to request his friend's assistance. Atrus is the writer of special books, which serve as links to worlds known as Ages. Twenty years earlier, his two sons, Sirrus and Achenar, destroyed his library on Myst and trapped their parents in order to plunder the wealth of Atrus' Ages. The Stranger's intervention saved Atrus, who had imprisoned his sons via traps intended for thieves. Atrus' wife Catherine hopes that, after twenty years, they have finally repented for their crimes. Atrus is not as sure his sons have reformed, and so wishes the Stranger to act as an impartial judge. After being knocked unconscious by an explosion, the Stranger realizes that Yeesha, Atrus' daughter, has disappeared. The Stranger sets out to find Yeesha, traveling to the prison Ages of Spire and Haven. On Spire, Sirrus has used his scientific knowledge to craft explosives, allowing him to breach the chamber that contained the linking book back to Tomahna, and has escaped; journeying to Haven reveals that Sirrus has also freed Achenar. The Stranger journeys to the Age of Serenia and encounters Achenar, holding a "Life Stone"; Achenar tells the Stranger that Sirrus is mad and has captured Yeesha, reveals that he kept a journal from twenty years earlier hidden on the island, and warns the Stranger not to let Atrus come after them.Achenar's journal reveals that he and Sirrus planned to trap their mother Catherine on Riven and use a "Memory Chamber", a gigantic flower-like structure used to preserve the memories of the dead, to take control of Atrus' body and steal his knowledge of the Art of Writing. The Life Stone that Achenar stole is used to power the Memory Chambers, leaving the current one in danger of collapse.Shortly afterwards, the Stranger finds Sirrus in an underwater harvester used for collecting memory globes for storing those memories; he blows up the harvester and flees to an older Memory Chamber, decrepit and abandoned. After encountering the Stranger there, Sirrus tells the Stranger that Achenar is the guilty one, and asks the Stranger to find Atrus and bring him to Serenia to set things right. Finding that the old Memory Chamber door has been locked by Sirrus with a special color-code combination, the Stranger goes to the active Memory Chamber to seek aid from the Serenian Protectors, who believe that the answers can be found in their "mirror realm", known simply as Dream. Obtaining a "spirit guide", the Stranger enters Dream and interacts with their guide, who tells them to interact with the Ancestors, the spirits of all Serenians who have died and had their memories preserved, to bring them into harmony.After bringing the Ancestors into harmony, the Stranger discovers the combination to Sirrus' color-code lock. Returning to the "waking world" and entering the old Memory Chamber, the Stranger finds Yeesha strapped into a chair, and she begs to be released from it with a silver lever. At that moment, Achenar arrives with a crossbow and the Life Stone, and warns that Sirrus used the Memory Chamber to remove Yeesha's memories and transfer his own into her body; Achenar points to an amber lever, which will reverse the mind-transfer. At this point, as in the other games, the ending varies. Delaying too long will result in Yeesha (who is in fact Sirrus) taking Achenar's crossbow and shooting first him, then the Stranger.The silver lever will release Yeesha (again, possessed by Sirrus), who drops a large stone on Achenar and the Stranger, and then shoots the Stranger dead.In the good ending, the Stranger pulls the amber lever, reversing the mind-transfer process. But because of the age of the Memory Chamber, it becomes unstable; Achenar tells the Stranger to return to Dream and set Yeesha's memories right, while he uses the Life Stone to stabilize the chamber by inserting it into the chamber's shrine, poisoning him with its contained toxic spores. In Dream, the Stranger finds a monstrous creature, representing Sirrus' Dream-form, anchored to Yeesha's essence and preventing her from returning to her body; with no spirit guide, Sirrus is forced to cling to Yeesha to avoid being lost forever. He maintains his anchors by jumbling up Yeesha's memories. The Stranger restores Yeesha's memories and frees her from Sirrus' grasp; Sirrus' Dream-form is destroyed by the shifting waves of Dream, killing him. The Stranger awakens to find Achenar, fatally poisoned, confirming that the transfer was successful; he dies shortly afterward.The Stranger then returns to Tomahna to meet with Atrus, who says that Catherine has taken Yeesha to Tay (the "rebel Age" used to evacuate Catherine's people in Riven), and remarks that while his sons are gone, his daughter is safe. System Requirements OS: 7 / 8 / 10 Processor: 1.8 GHz Processor Memory: 512 MB RAM Graphics: 32 MB 3D graphics card compatible with DirectX 9 DirectX: Version 9.0 Storage: 7172 MB available space Sound Card: DirectX 9 compliant audio device Additional Notes: Peripherals: Mouse, Keyboard

RPM Racing (short for Radical Psycho Machine Racing) is a Super Nintendo Entertainment System racing game developed by Silicon & Synapse (now known as Blizzard Entertainment) and published by Interplay Productions. RPM was a successful remake of the Commodore 64 video game Racing Destruction Set, developed by Electronic Arts in 1985. It claims to be the first American-developed game for the Super Nintendo Entertainment System. In the game, players can race in a regular season, a single race, or create their own course. The courses can be straight and oval, curvy and or hilly and unpredictable. The winner gets money and a chance to score their initials for the fastest time. RPM Racing was developed using the Sluggo development system created by Rebecca Heineman and her partner which allowed uploading of bin files to a device that emulated a cartridge for the SNES. System did not include step through or trace functionality. RPM was programmed in 65816 Assembly Language using a cross compiler on an IBM computer. Development took five months and was programmed almost exclusively by Allen Adham with graphics supplied by Interplay and in-house 3D modellers. RPM was one of the first SNES games developed in 'High Resolution Graphics Mode' which allowed for sharper detail but fewer colors. While the higher resolution gave finer detail, it also severely limited the number of colors and amount of unique graphics that could be displayed from the SNES video memory. Due to this, the sequel to RPM, Rock N' Roll Racing, was developed in the lower resolution graphics mode allowing for much more vibrant colors and graphic detail. The logic engine and track editor for RPM were ported from an older EA title Racing Destruction Set. The 6502 assembly code was modified for 16-bit but otherwise mostly left intact. SYSTEM REQUIREMENTS Processor: Intel Core i5-4460 or AMD FX-8120. Memory: 4 GB RAM. Graphics: GeForce GTX 760. DirectX: Version 11 https://www.youtube.com/watch?v=tRqpde1Ew-k

Jade is a fictional character and the protagonist of the action-adventure video game Beyond Good & Evil. She is a photo-journalist, and was created by Ubisoft developer Michel Ancel, with the goal of creating a character resembling a real person, rather than a "sexy action woman". In Beyond Good & Evil, she and her uncle Pey'j, a half-pig half-human, work together to both rescue orphans they were taking care of and expose governmental corruption. Since appearing in Beyond Good & Evil, Jade has been met with a very positive reception and has been included on several lists of top female video game characters. She has been compared to other such characters, including Alyx Vance from Half-Life 2. Jade was created by Beyond Good & Evil developer Michel Ancel, whose wife, Alexandra, a character artist for the game, played an important role in her creation. Beyond Good & Evil public relations manager Tyrone Miller stated that a rumor existed that she was the inspiration for Jade. Ancel set about creating a character that resembled a real person rather than a "sexy action woman", and Miller points out that the focus on Jade is on her role, situation, and the meaning of her actions in the game. Miller also describes her as a "girl next door" that people can identify with. The design of Jade evolved throughout the game's development, both in terms of her appearance and psychology. IGN editor Kaiser Hwang describes the change as going from an innocent girl with a tomboyish charm to a tougher, more weathered girl with multiple green-colored articles of clothing.While Jade has been cited as a black character,Miller states that she has no established ethnicity, since the game takes place on another planet. She is voiced by Jodie Forrest in English and Emma De Caunes in French.When asked who he felt should portray Jade in a hypothetical Beyond Good & Evil film, Miller chose Shannyn Sossamon, stating that she looks and walks similarly to Jade.In an interview with Nintendo Power, Ancel stated that he hopes Jade maintains her values and personality in Beyond Good and Evil 2.In an interview with Play, Ancel described Jade as having "a soul like a real person" rather than simply a puppet for the players to control. He noted the character's design was adapted during production, and attributed her personality to the game's dialogue, voice acting, and visuals "coming together". In Beyond Good and Evil, Jade lives in an island lighthouse with the boar-like Pey'j, caring for children orphaned by attacks on the planet by the DomZ, an aggressive alien race. While a skilled jōdō martial artist, she is also a freelance journalist. When she runs out of money to power the lighthouse's shield generator, Jade takes a photography job cataloging all the animals on Hillys. She is then recruited by the IRIS Network, an anti-government resistance movement trying to expose a collaboration between the DomZ and Alpha Sections, an elite military group supposedly created to fight the DomZ. With her martial arts knowledge, she is able to infiltrate various government facilities and obtain evidence of human trafficking. After confronting the DomZ High Priest on Hillys' moon, she learns that she is known to the DomZ as "Shauni" (incidentally also her IRIS Network codename), and was bequeathed with a spiritual power stolen from them centuries ago. She subsequently uses that power to defeat the Priest and save the Hillyan po[CENSORED]ce. A Jade-like figure appears in a Beyond Good and Evil 2 teaser trailer, traveling with Pey'j.The same figure is also shown in a leaked development video from Ubisoft, escaping from a city.In addition, Jade's costume appears in the 2008 video game Prince of Persia for the character Elika. Since her appearance in Beyond Good & Evil, Jade has been met with a positive reception, particularly for being attractive yet also tasteful. Fox News editor Lou Kesten cited Jade as an example of a heroine who isn't just eye candy for adolescent boys.IGN listed her as one of the top ten gaming heroines, describing her as "not your typical game character", and arguing that she is inquisitive, smart, brave, and fully clothed.IGN editor David Adams praised her ability to register pity or horror with the subtlest of changes in expression.GamesRadar listed her as one of the seventh most tasteful game heroines, stating that while she has a mastery of several disciplines that would take many years to accomplish, she comes off as a normal person, leaning more towards competence than eye candy.They also listed her as one of the top 20 most overlooked video game babes, stating that her "artsy-fartsy" nature and lack of upskirt potential is why she is so overlooked. They also described her as being inoffensive, with her outfit "nigh on asexual."lay featured her in their first annual "Girls of Gaming" issue, praising her as the "ultimate thinking man's (and woman's) heroine."GameDaily listed her as one of the top 25 hottest game babes, citing her as both tough and fashionable.They also listed her as one of the "10 babes who should meet your mom," for being as "devoted,"and listed her in their "Babes of the Week: Brunettes" article, stating that she has a heart of gold.UGO.com listed her as the 46th hottest game babe, calling her "righteous."San Francisco Chronicle editor Peter Hartlaub listed her as one of the top nine greatest video game heroines, describing her as tomboyish and a regular girl caught in the middle of a conflict. In 2013, Complex ranked her as the eight greatest heroine in video game history and during a PAX Prime panel for game developers and journalists, Jade took top spot for best female character in an action game.1UP.com also cited Jade favorably, stating that "her down to earth demeanor, athleticism, and adventurous spirit make Jade a capable character suited to any task in Beyond Good & Evil's dark political story."Entertainment Weekly's Darren Franich listed her as one of "15 Kick-Ass Women in Videogames", describing her as "a badass female main character." Jade has also been compared to other characters in video games. GamePro cited her as an example of the right way to do female video game characters, along with other female protagonists such as Portal's Chell, Half-Life 2's Alyx Vance, and Silent Hill 3's Heather Mason.Kotaku editor Stephen Totillo compared her to Kendra Midori, protagonist of the Avatar video game, describing Midori as a "nature-loving scientist lady" while describing Jade as a "nature-loving photographer," stating that she would feel at home in the world of Avatar.In an article discussing racial ambiguity in video games, Wired editor Chris Kohler uses Jade as an example of someone whose race is ambiguous, also bringing up a reader's blog post listing Jade in his list of black characters. This caused a "mini-controversy" on the NeoGAF forums, from which Kohler took statements as evidence of the ambiguity. He feels that the developers made Jade racially ambiguous, intending to allow players to see themselves in her. SYSTEM REQUIREMENTS MINIMUM REQUIREMENTS OS: Win 98 Processor: Intel Pentium III / AMD Duron 2.0GHz Graphics: AMD Radeon 7000 64mb or NVIDIA GeForce 2 MX 100/200 32MB System Memory: 64 MB RAM Storage: 3 GB Hard drive space DirectX 9 Compatible Graphics Card RECOMMEND REQUIREMENTS Processor: Intel Pentium III / AMD Athlon MP Graphics: AMD Radeon 9000 Series 64MB or NVIDIA GeForce 4 MX 440 System Memory: 256 MB RAM Storage: 3 GB Hard drive space