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SIALKOT-Munib Iqbal, the grandson of Dr Allama Iqbal, has said that Allama Iqbal had been a great “Aashiq-e-Rasool (SAWW) from his birth till his last breath. “Dr Allama Iqbal carried overflowing emotions, dedication, love and spirits of Ishaq-e-Mustafa (SAWW) in his heart, which can be gauged from his entire work.”Munib Iqbal was addressing a largely attended “Ishaq-e-Rasool (SAWW) and Allama Iqbal” conference held here at University of Sialkot (USKT) here. University of Sialkot (USKT) hosted this mega event in connection with Iqbal Day and Jashn-e-Eid Miladun Nabi (SAWW). CEO University of Sialkot Rehan Younas presided over the conference. While expert of Iqbaliyat Dr Uzma Saleem (member syndicate University of Gilgit-Baltistan), Vice Chancellor USKT Dr Ejaz Qureshi, Kaleem Raza (Director Students Affairs USKT), senior journalists, Deans, HoDs and a large number of students attended the conference. Munib Iqbal informed that Dr Iqbal’s work has been an all weather poetry, attracting people of all ages, religions and races. He stressed the need for complete implementation of Iqbal’s philosophy for national development and prosperity.On the occasion, he recited Dr Allama Iqbal’s famous poetry in his melodious voice including “Ki Muhammad Sey Wafa Tu Ney To Hum Terey Hein”, “Quwat-e-Ishaq Sey Har Past Ko Baala Kar Dey...Dehar Mein Ism-e-Muhammad Sey Ujaala Kar Dey”, “Loh Bhi Tu, Kalam Bhi Tu..Tera Wajood Al-Kitaab”, “Lab Pey Aati Hey Duaa Ban Key Tamana Meri” and “Sitaaroun Sey Aagey Jehaan Aur Bhi Hein” as well.He asked the youth to strive for self-reliance within own resources and emphasized austerity envisioned by Allama Iqbal. He said that Allama Muhammad Iqbal was a visionary who conceived the idea of separate homeland for the Muslims of the Subcontinent that was ultimately materialized in the shape of Islamic Republic of Pakistan. USKT CEO Rehan Younas paid homage to the great poet, philosopher Dr Allama Iqbal (the son of soil of Sialkot). He narrated that there is a great imagination of implementation, ethics and spiritualism in Iqbal’s poetry, saying that Allama Iqbal had envisioned human development through the way of selfness and Khudi. He stressed the need for bringing in positiveness in thoughts, thinking besides bringing betterment in directions to be flourished in every segment of life.Expert of Iqbaliyat Dr Uzma Saleem also paid homage to Allama Iqbal. She said that Iqbal’s poetry is an evergreen formula of personality development and building capacity for everyone. She said Iqbal’s poetry reflects his love, passion, affection and dedication with the Holy Prophet Hazrat Muhammad (SAWW).She said that Allama Iqbal had dedicated his life for Ishaq-e-Rasool (SAWW), showing e true path to everyone especially the Muslim Ummah, asking them to be united for glory of Islam.Dr Uzma Saleem revealed that the teachings of Allama Iqbal are like a beacon of light to maintain tolerance, peace and stability in the society. She said that youth of the nation should transform themselves into Iqbal’s ‘Mard-e-Momin’ and strive for self-reliance within own resources and emphasized austerity envisioned by Allama Iqbal.Earlier, Munib Iqbal visited Iqbal Manzil (the birthplace of Allama Iqbal) in Sialkot. On the occasion, he spoke and highlighted various aspects of Allama Iqbal’s poetry, philosophy and vision.He showed keen interest in all the rare personal used things of his grandfather Allama Iqbal and pictures of his family displayed there.People of Sialkot, Syed Riaz Hussain Naqvi (Incharge/Caretaker of Iqbal Manzil Sialkot), Shamim Khan Lodhi (President Bazm-e-Iqbal Sialkot) and senior journalists accorded warm welcome to Munib Iqbal upon his arrival at Iqbal Manzil.Later, Munib Iqbal also visited Imam Sahib Graveyard where he laid floral wreaths at the graves of parents and other family members of Allama Iqbal. He offered Fateha there.

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In the past days, I was "reported" a problem (very problematic): through some "elevated" key combinations (simple - for connoisseurs, random and sadistic for the rest) an acquaintance managed to activate NumLock on a laptop keyboard (which obviously has the number keys over some of the letter keys - that's where the problem). The problem would have been resolved quickly with a little advice (Fn + F11 activates or deactivates NumLock) if in their oddness on the laptop keyboard, fingers would not set as NumLock and Capslock to be enabled default every time the system starts (apparently, and ScrollLock it would have been activated, but I would not say exactly the differences between "with" and "without", I expect completions). Because I have not managed to clarify which combination of keys will cancel that problem, the solution is a simple registry editor. So, if the keys (or key combinations for) CapsLock, NumLock, and ScrollLock have "inappropriate" behavior and turn on default after each boot, then follow the steps and educate them Open Registry Editor (type regedit in Search in the Start Menu then type Enter) and follow the HKEY_USERS \ .DEFAULT \ Control Panel \ Keyboard path. In the right pane, change the entry value (String Value = REG_SZ) InitialKeyboardIndicators to one of the following: 0 - Disable NumLock, CapsLock, and ScrollLock 1 - Enables CapsLock 2 - Activate NumLock 3 - Enables CapsLock and NumLock 4 - Enables ScrollLock 5 - Enable CapsLock and ScrollLock 6 - Enables NumLock and ScrollLock 7 - Enables NumLock, CapsLock, and ScrollLock For the changes to take effect, restart the PC. For future issues of this kind, note the values and their co

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sharp blade and a weaponised prosthetic arm, but there are plenty of moments when the sword is sheathed and the game shows a quiet cinematic discipline. A castle aflame on a hilltop, illuminating the gardens and courtyards below in the dead of night. Stolen minutes crouched hidden on rooftops, surveying patrolling guards, or strolling up an avenue lined with blossoming trees. Short, opaque conversations with dying samurai. Hiding in tall grass from a gigantic, bone-chilling serpent that tastes the air with its flickering tongue as it slithers massively through a valley. I have seen some extraordinary things in Sekiro: Shadows Die Twice, and still, after weeks, there is more ahead.Sekiro’s set-piece fights are breathtaking, clashing songs of steel whose different rhythms defy familiarisation. Fighting a hooded shinobi-hunter with a spear is a different dance from fighting a general on horseback, or an elite swordsman, or a flaming beast. Avoiding attacks is usually impossible; instead, you must deflect them with your blade, seizing each momentary opening to retaliate with your own slash, until an enemy’s posture is broken and they’re left open to a finishing blow. In between these fights are castles, valleys, courtyards and dungeons full of lesser enemies, treasures, and rare friendly characters offering scant crumbs of conversational comfort or wares for sale. Each area is a puzzle: figure out where to hide, and when to escape to the rooftops, and you can stealthily slice through five or six unfortunate soldiers before anyone realises you’re there. Being outnumbered swiftly leads to your demise, so thinning out the ranks with stealth strikes and plunging blows from tree branches is vital. Sekiro leaves no room for lapses of concentration. Three or four hits are usually enough to finish you off, and bosses can sometimes end you with a single undeflected strike. Dying means returning to prayer idols scattered throughout the world, small oases that mark your progress. There are minimal punishments for failure in Sekiro’s world, as your shinobi can resurrect himself as often as needed. It expects you to die, over and over, until you develop the muscle memory to get past whichever bastard keeps bringing you down.In most difficult games, including director Hidetaka Miyazaki’s previous masterworks Dark Souls and Bloodborne, slow inch-by-inch progress can be made even when your skills or your nerves aren’t quite up to the latest towering foe. You can mop up less intimidating enemies to increase your stats or your confidence, hunt for a different weapon that might be more effective, try changing your tactics, or turn to other players for assistance. In Sekiro, there is no help, little strategy, no missing piece of the puzzle: just you and a sword. It’s not unusual to spend two or three hours repeatedly fighting the same adversary, hoping that THIS attempt will be the one, THIS will be the time where your reflexes or your nerves don’t fail you. This makes Sekiro uncompromising. The rush when you finally run your sword through a samurai general for the final time is incomparable – after one battle the adrenaline was so strong I could physically taste it – but the preceding hours of trying and failing often drove me to despair. It offers no comforting sense of gradual progress, but a series of ever-ascending peaks. This is no accident. Sekiro’s designers invite you to fully inhabit the role of a shinobi, to develop skills as sharp and unfailing as a real ninja swordsman, and to think deeply about death. But it is regrettable that this also closes off a fascinating game to anyone without the time to devote to it.It is time, more than anything, that will determine whether you can experience Sekiro. Anyone can develop the skills, with practice, but not everyone is willing to spend so long throwing themselves at a brick wall. This is not a game you can chip away at, but one whose every challenge requires hours of sustained application. And some of its imposed sufferings, such as a currency for helpful special moves that sometimes runs dry and leaves you without even that small advantage, or being repeatedly forced to face the same five bodyguards before getting another shot at the general they are guarding, feel cruel and needless. If you’re at a point in life where you have frequent long evenings or empty weekends to throw at its mountainous challenges, you will find here an exquisite game whose subtle themes, gradually unfurling mysteries and beautiful samurai-period sights reward the determined and skilled player. Otherwise, Sekiro is a stubbornly locked treasure chest. It’s as if the Lord of the Rings had only been published in Tolkein’s own Elvish, unreadable without long hours of gruelling study.