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Welcome to a new era of entertainment. Time to sit down, strap in, and battle other would-be opponents in the greatest orgy of sports and automotive gladiatorial combat in human history. The most deranged vehicles! The most brutal weapons! The biggest crowds! Run your own workshop, craft your own juggernauts of destruction, and track your own carnage-filled career. Live from the Maze Bank Arena, this is Arena War. You signed up for glory, and it's showtime. Step into destruction derbies, rain fire from strategically placed artillery and wreak havoc from the Spectator Box with EMP Drones, self-destructing RC Cars and much, much more. No mercy, no disqualification, no safe word. Utilizing a host of new weaponized Bikes, Cars and Trucks specifically engineered for maximum destruction, be the last contender standing in an all-out vehicular brawl under the dome of the Maze Bank Arena. Two teams, two flags, one objective. The classic capture the flag formula — reworked Arena War style to include enough gasoline-chugging violence to appeal to a mainstream audience. If you're any good at driving really fast and turning to the left, then you're off to a good start. Sure, it's theoretically possible to win a round of Wreck It by crossing the line first in a fair-and-square lap race. But that's never happened, because the competition, recently departed Spectators and an ever-evolving set of traps and obstacles are conspiring to reduce you to a smoldering heap of scrap metal. Like the old saying goes, if it's not a race to the death, you're just not taking it seriously enough. Arena War isn't all about ruthless individualism. Sometimes there really is safety in numbers - and in Tag Team you're going to need it. Each team has one player in the arena at a time, and their only objective is to immolate the opposition. Teammates holed up in the Spectator Box have an array of weapons at their disposal to give their partner a destructive edge. When it comes to brutal arena designs, you can install the most exquisitely hazardous death traps on the market, but there's just no substitute for the sheer ingenuity and sadism of a properly incentivized human being. One team collects checkpoints, the other uses every fiendish tool the Arena has to offer to make their plans go up in smoke. And be sure to hold onto your grudges: after every round, you switch places. For centuries, gladiatorial fights to the death have brought unbridled joy to the masses. In Here Come the Monsters, one team takes to the arena in monster trucks capable of crushing metal and bone into the same bloody dust. The other guys get compact cars and a dose of anxiety meds - but if even one of them survives, they win. Let the games begin. Life isn't about holding onto good things, it's about passing them on. Like inherited wealth, or a sense of entitlement. Or a high-explosive device. In Hot Bomb, one player has the bomb, and the only way to get rid of it is by crashing into someone else. Throw in a timer and a baying crowd, and survival of the fittest just got an upgrade. If you're eliminated from a match, pull up a stool in the greatest spectator lounge ever devised: kick back and get a drink or play the Arena War Wheel to claim a variety of prizes (the only form of roulette that has “take control of a weaponized drone” as a possible outcome). Step into the Arena this week to receive Double GTA$ & RP across the entire Arena War Series. Head to the ArenaWar.tv website in game to browse listings for all 12 new Arena Contender Vehicles, each available in Future Shock, Apocalypse and Nightmare styles. Some are ready to go as soon as they’re delivered; some start life as humble road cars, with arena workshop upgrade options that’ll have them ready to burn in no time.

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Introduction to the origin of the game :  Offworld Trading Company is a real-time strategy (RTS) video game developed by Mohawk Games and published by Stardock. The game was released for Microsoft Windows and OS X in April 2016. Game definition :  Offworld Trading Company is a science fiction themed real-time strategy video game. The game is set on Mars .Offworld Trading Company features economic warfare ranging from hostile takeovers to sabotage. Offworld Trading Company puts the player in charge of one of four titular offworld trading companies. The players' choice of faction comes after they have their first look at the map, allowing them to tailor their choices to the situation. Regardless of their choice, players land their HQ and begin to construct resource extractors on the neighboring hexes.  The way to play the game :  There are thirteen resources in the game. Water, Aluminum, Iron, Silicon, and Carbon are extractable from hexes that contain those resources. Power can be generated by building a power plant, with different limitations depending on the type of power plant being built, and is usually used to power buildings. Steel mills generate steel from iron. Farms make food from water. Hydrolysis reactors break water apart into oxygen and fuel. Glass kilns produce glass from oxygen and silicon. Electronics factories produce electronics from silicon, carbon, and aluminum. Chemical refineries produce chemicals from carbon and fuel. Finally, money can be produced by selling stockpiles of resources.  Supply and demand fluctuates constantly. If a player is buying large sums of glass for an expansion, their rival could be gearing up glass kilns to make a handsome profit. The game also offers more direct ways of engaging a player. Through the black market, a player can purchase anything from underground nukes that wipe out resource pockets to mutinies that divert a rival's wealth into their pocket. When a player purchases something from the black market, however, its price rises, giving a wary opponent a chance to prepare a defense, usually in the form of a goon squad. The goon squad protects a single structure from most sabotage actions, capable of stealing the sabotage for yourself. The end goal of the game is to buy a majority stake in every offworld trading company in the game. If a player loses majority stockholdership in their own company, or is subjected to a very expensive hostile takeover, they are eliminated from the game, but can elect to watch as an observer. Players are warned when an opposing player earns enough money to buy them out (but the opposing player is not alerted), which usually results in tense, desperate races to earn money. Video demonstration of the game :

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Assassin's Creed III: Liberation casts us as Aveline, a young woman living in New Orleans before and during the American Revolution. When her mother -- a freed slave -- disappears, Aveline falls into the Assassins’ Brotherhood and starts stabbing Templars. If you're looking for a more detailed account of her journey from child to killer, you won't get it in Assassin's Creed III: Liberation, and that's one of its major flaws. Aveline is the first female lead for the franchise, and her internal struggle could make for an extremely interesting story – she’s the privileged daughter of a slave while slavery rages on. However, Liberation glosses over those threads. Outside of a bio page in the main menu, you're never given any details on how this woman went from a lost girl to an assassin. How did her mentor train her to kill without her stepmother or father noticing? I keep comparing Aveline's tale to that of Batgirl in the old Adam West Batman TV show -- her plotline is thin and conveniently glosses over facts that would upend it. Our hero's just out to pull missions and then get back to being daddy's little girl. That's disappointing; a more grounded tale would've done wonders for this game. Luckily, pulling off missions is fun for the most part. The controls that have defined the Assassin's Creed franchise are an excellent fit for the PlayStation Vita and will have players running over rooftops and silently stabbing enemies in no time. Ease behind the Vita's dual analog sticks, and you'll feel at home, especially when missions have you infiltrating parties and killing politicians. The setup and execution of Liberation is just like the other Assassin’s Creed games, complete with the occasional, accidental leap to your death. The fact that this stuff is still this much fun to do this far into the franchise is partially because Ubisoft keeps iterating on what works. Liberation boasts an active open world for Aveline to explore -- one that stretches from downtown New Orleans to the bayou and a few other places I won't spoil. These locales act as the backdrop for your story missions, but the world is packed with side quests from freeing slaves to buying shops. There are nearly 10 memory sequences to Aveline's story, but there's plenty to do after the credits roll. A big part of that additional content is Personas. Aveline has three Personas in Liberation, acting as costume changes with individual pros and cons. The Assassin Persona gives Aveline access to all of her weapons but gains notoriety quickly -- something that makes patrols more likely to go on alert when they see you. Meanwhile, the Slave persona is weak in combat but can blend in with workers to avoid detection. Finally, the Lady persona is for hiding among the New Orleans elite and charming guards. It's a three-part system that has its moments of coolness, but starts as a bit of a headache. In the beginning, you're not offered these Personas as choices for tackling a mission; you're forced to use them. All I wanted was to run around the rooftops as the Assassin, but I instead had to be a prim and proper lady for a few quests. You’re given more choice later -- and each persona comes with its own side quests -- but it never becomes the true "choose how you play" setup. Plus, "charming" is one of the most "gamey" moments in any Assassin's Creed. Aveline waves at a guard, a heart fills in over his head, and the oaf will follow you around like a puppy -- even as you march over to kill his boss in a restricted area. Speaking of tacked on, Assassin's Creed III: Liberation packs an asynchronous multiplayer mode. Here, you'll choose if you're with the Brotherhood or the Templars, and then start tapping nodes around the world. You never engage in any combat, but assign troops to attack or defend a spot. All the other people playing multiplayer are doing this too, so there's a constant tug of war as to who is in charge of the nodes. The mode is boring and poorly explained, and I had it glitch out on me a couple of times to where I couldn't quit. Luckily, this mode isn't why anyone's buying Liberation. When it comes to looks, Assassin's Creed III: Liberation alternates between stunning and substandard. There are screenshots in our gallery that look jaw dropping, and Liberation lives up to the promotional material. But then things start moving. Assassin's Creed III: Liberation struggles with framerate issues from start to finish. Sometimes it feels like Aveline's running a bit slower than she should be, and other times she'll practically teleport from place to place as the game catches up with her. There's a lot of detail to Liberation, but you pay the performance cost to see it all. Plus while the soundtrack is sweeping, dialogue and effects can sound tinny. That's the weird thing about Assassin's Creed: Liberation: it goes back and forth from being cool to being lame. You'll earn a chain kill (think 'Mark and Execute' from Splinter Cell) and then have to use the touch screen for something goofy. You'll use your whip to swing from tree branches and then have to watch the framerate slowdown. You'll love the idea of Aveline, but you'll never really get to know her story.

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