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[News] The Coronation: Six takeaways from a historic day


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King Charles and Queen Camilla travel from Westminster Abbey in the Gold State Coach

Millions of eyes were on Britain, but what message did the Coronation send out about the country, aside from confirming prejudices about our dreadful weather? This is my view from the sofa - six takeaways from a historic day.

We knew this would be a real spectacle, but from my front row seat (in my sitting room) much of it still felt from a bygone era. This was Britain with all its pomp on show. Golden carriages, weighty robes of state and jewel-encrusted crowns.It's hardly surprising there were so many arcane traditions, in a ceremony that dates back 1,000 years at Westminster Abbey. But who knew, until Coronation day, that swords have names?The Sword of State and the Sword of Offering - more about them later - the Sword of Temporal Justice, the Sword of Spiritual Justice, the Sword of Mercy.Or that Princess Anne would be known as the Gold-Stick-in-Waiting.Or that there are bracelets of sincerity and wisdom?

The King and Queen travelled in the Gold State Coach, led by horses dressed with magnificent blue plumes

Of course it felt removed from Britain in 2023, in the middle of a cost of living crisis.But as the queen of grunge, Courtney Love Cobain tweeted, she was "loving the religion & strangeness & pageantry".And so were many others. This kind of display is what distinguishes Britain from the rest of the world. We're good at it, aren't we?The historian David Olusoga said there is an argument the ceremony makes us "more aware of how ancient, how, in some ways, unlike the country, these traditions are".But among the tradition, effort had been made to ensure modern Britain was also being reflected.For me that began with the blue, almost punk-like plumage of the horses pulling the carriage in the King's procession from Buckingham Palace. Although in fact woven braids date back to Queen Victoria's coronation.We saw it in the inclusion of the King and Queen's blended family in the service. In the representatives of other faiths.In the sceptre carried by national treasure Baroness Floella Benjamin.In the women bishops who were involved in a coronation for the first time ever.There was a message of diversity and inclusion that had been carefully crafted, but nonetheless felt sincere.Another first were the girl choristers.Their voices rang out as King Charles and Queen Camilla walked into the abbey."I Was Glad" has been performed at every coronation since 1626. I've always marvelled at Sir Hubert Parry's version, composed for Edward VII in 1902.Afterwards, Gareth Malone, who will conduct the Coronation Choir at the concert at Windsor on Sunday night, told me "you'll never hear it that well performed ever again".For hours on Saturday, the abbey was filled with simply wonderful music.

The Ascension Choir's singing was described as "joyful" by Gareth Malone, whose Coronation Choir performs at the Coronation Concert at Windsor Castle

Malone's highlights also included the "beautiful haunting harmonies" of the new composition by Paul Mealor of Kyrie Eleison, sung in Welsh (the first time that language has been heard in a coronation service) by the opera star Sir Bryn Terfel and the "timeless, spiritual" Byzantine Chant Ensemble, in Greek.And Handel's Zadok the Priest at the time of the anointing was a particularly electric moment.From a King with a lifelong passion for music, we were treated to a composition arc, from Orlando Gibbons in the Elizabethan period through William Byrd and Handel to Vaughan Williams and on to composers of today.King Charles personally commissioned 12 new pieces for his Coronation, including a show-stopping performance by the eight-strong gospel Ascension Choir.The artistry on show was breath taking.

https://www.bbc.com/news/entertainment-arts-65488861

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