[Musician] Omar Khayrat

[HiTLeR]

• Musician Name : Omar Khayrat
• Birthday / Location :  November 11, 1948 Kingdom of Egypt
• Main instrument :  Piano 
• Musician Picture : 
• Musician Awards & Nominations : 

  Omar Khairat has won dozens of awards and Egyptian and Arab appreciation certificates for his work as the best soundtrack, including:

  The movie Escape from Khanka from the Egyptian Film Association in 1988, with a certificate of appreciation.
  The Search for Tutankhamun from the Egyptian Radio and Television Union in 1997.
  The movie Sleep in Honey from the Egyptian Film Association in 1997.
  The Ostrich and Peacock Film from the Tebessa International Festival in Algeria and the Alexandria International Film Festival in 2001.
  The Golden Knight Award in 2001 from the Egyptian Radio and Television Union for the song "Al-Masry" from the movie Scott H Nassour.
  Oscar award for Egyptian cinema from the Egyptian Film Art Association in 2003 for the movie Mafia.
  Oscar award for Egyptian cinema from the Egyptian Film Art Association in 2005 for the film The Embassy in Architecture.
  Public referendum for the best soundtrack in 2005 for the series The Client 1001.

• Best Performance : 
  Spoiler

   

   

• Other Information : 

  Omar Ali Mahmoud Khairat was born on November 11, 1947 in the Sayeda Zeinab neighborhood in Cairo to an educated family who loves the arts. His uncle is Abu Bakr Khairat (the most famous architect and founder of the Egyptian Conservatoire who enriched the Egyptian musical library with wonderful symphony works), and its fruits were completed by Omar Khairat. Who continued the path of his uncle, the musician Abu Bakr Khairat, and loved the piano, who discovered with him new musical areas in the sense, memories and strength of the Egyptian character.

  As for his grandfather, Mahmoud Abdel-Rahim Khairat, who was one of the notables of the city of Mansoura in the Governorate of Dakahlia, was a lawyer and was very interested in the arts, a poet, a writer, a translator, a painter and a musician, and he had a permanent salon for arts that collects symbols of art and culture in that era in Cairo, such as the po[CENSORED]r artist Sayed Darwish and the ideal Mahmoud Mukhtar and the writer Mafalouti. His father was an architect specializing in Islamic architecture and building mosques, and he was also a pianist and continued to play it until his death.